About Saint Germain

Question: How do you see Saint Germain?


 

This answer was given by Kim Michaels at a conference in Holland.

 

Kim: I don’t see him. I just sense the Presence. It’s interesting how the masters are so different. It’s just incredible. I sometimes wonder when people read a dictation if they really sense the differences, and I even wonder sometimes if when they hear the dictation they sense it. I feel it so clearly when I take a dictation, receive a dictation. 

It is really hard to put words on it, but Saint Germain has this very high vibration, very intense vibration, but it’s not oppressive. It’s not an intense, oppressive vibration. But it’s intense in a way that you almost can’t be still. You almost can’t be in your body. I couldn’t imagine sitting down and taking a dictation from Saint Germain.

I can sit down with a dictation from the Buddha or Padmasambhava or some of these other masters. But with Saint Germain, I want to stand on my toes, jump, levitate out of the body. So it’s like a pull, a lifting movement. But I also feel such a love from him, and it’s such a tremendous love, but it’s so liberating. It’s like there’s no obligation, no pull in it. It’s just so liberating. I don’t know if anybody else wants to share how you experienced it?

 

Comment: We want to imagine the ascended masters somehow. The closest we can easily do is a kind of human picture. I had a program, and then I understood there is something not right, and then I understood that it was actually a huge cosmic being, like a magnetic field bigger than earth. So for me it was better to imagine them as a kind of energy field or magnetic field or force that is huge, and then when you connect with that being, which is a field, emphasizing a certain point where you are, and through that point you get a connection. And you do not understand it, actually the vastness of that personal sphere. So it is not a person. It is a field that gets closer in my mind. I saw the program in my head in this way.

Comment: In the beginning you were saying burn the picture. That is easy for me. Now I see them as a flame, like the Violet Flame. Then he said to imagine him with a stone. This is how I pictured it, so I got stuck.

 

Kim: I can see that, but I can also see that in my mind I just switch from one to the other, probably because for many years I have seen Saint Germain as a human figure. In the Summit Lighthouse they had this picture of him standing in full figure with his arms around Jesus. And there’s a funny story about that picture. When I was very new to the Summit Lighthouse, I attended a conference in Denmark, and it lasted three days. They had this room they had rented, and they had all the books laid out on tables and tapes and everything. So whenever there was a break, I walked around and looked at them for three days.

As I was saying earlier, I really had a problem with Jesus, and I really had a problem connecting Jesus and Saint Germain, the Piscean and Aquarian dispensations. So I needed something to unite the two. I had been walking around in this room for three days, and they had this little picture of them with their arms around each other. It had been hanging on a pillar for three days, and I hadn’t seen it. 

Then on the last day I was standing there talking to somebody. Apparently the picture was hung with tape or something, because as we were standing there talking, all of a sudden there was this thump, and this picture had fallen from the pillar down onto the table. Then I looked at it and said, “Oh, wow.” So that was what it took for me to finally know this, and it was like somebody said: “Will you know this now? This is what you need.” I thought it was funny. I don’t know how I could have overlooked it in three days.

 

Comment: Some people don’t know, but most people do: Saint Germain was also incarnated as Joseph, the father of Jesus, and the husband of Mother Mary.

 

Kim: Just to finish off – I am so used to seeing Saint Germain that way, and I don’t think that he’s confined to these forms, but I also see that he plays different roles. And whenever he’s performing a certain task, he takes on a more humanlike appearance in order to perform that task. This doesn’t mean I think he’s that way or that’s his totality. I agree with what you were saying – that he’s a field. There is an infinite field. 

In fact, in some of the old pictures of the masters they were just shown like a radiance of light. There would be two eyes, but there would not be any human features other than that. We had the eyes to sort of connect to. The ascended masters face a delicate balance. There’s not anything wrong with the pictures they had before because the people needed a human appearance in order to connect. It’s just that what they’re saying now is that they don’t want us to get stuck in it. They want us to follow them and go higher and realize they are more than that.

 

Comment: They did appear for that guy [Charles Sindelar] to paint them in those pictures. 

 

Kim: Yes, that was what they judged the people needed at the time. It is just that now we need to go higher.

 

 

Copyright © 2015 Kim Michaels

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